I'm currently trying to learn the Bach Fantasia in C minor (A1 in Grade 8) without a teacher and while studying page 3, I noticed the hand distribution for the bit starting on bb 24-25 is different from the equivalent part in section 1 (bb 8-9), where the RH plays the broken chords and the LH plays notes or chords in the lower and higher octaves alternately .
My question is whether the same distribution (i.e. broken chords in the RH and notes or chords in the higher and lower octaves alternately in the LH) can be kept in section 2 so that here, too, the RH plays the broken chords, etc..If I have not misread something, the ABRSM edition shows no such distribution as the second Section has the broken chords in the LH. Of course, one has to be fast enough to negotiate the change of hands towards the end of bar 24 (with the last triplet of semiquavers played by the LH to get ready for the broken chords) , but it seems to me to be rather more comfortable to play the broken chords with the RH in both cases.
I hope it's all clear.
Does anybody have any ideas?
Thanks to all of you!