And I immediately burst in to tears.
LCM Grade 8 drum kit.
What a massive contrast to the Trinity Rock & Pop result from Dec 2016. 44/100
I REALLY didn't expect this result. So SO proud of myself.
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Posted by susiejean on 06 April 2018 - 16:18
And I immediately burst in to tears.
LCM Grade 8 drum kit.
What a massive contrast to the Trinity Rock & Pop result from Dec 2016. 44/100
I REALLY didn't expect this result. So SO proud of myself.
Posted by Aquarelle on 22 October 2020 - 09:28
Last Friday a teacher in France was murdered. He has been decribed in the British press as a history teacher but that is not quite accurate. Here history, geography and civics are taught as an amalgum of subjects. The particular lesson he was giving to a class of 13 to 14 year olds was in the context of the civics module and the subject was freedom of expression. He was not teaching outside the syllabus and he gave students who did not wish to see the cartoons he had brought as support the opportunity not to see them.
The ways in which different countries deal with the difficult and delicate questions, particularly in the field of the philosoply of education. For complex historical reasons the French have chosen to deal with these problems by what is known here as « laicité. » I think the nearest term to that in English is « secularity .» The idea is that school is a place where every one puts aside their religious beliefs and takes part in a common curriculum aimed at teaching the younger generation about citizenship. In other words there is a secular and neutral umbrella over all differences and children are taught about a wide variety of ways at looking at the world, in the hope that as adults they will be equipped to use this knowledge. Everyone has the right to decide for themselves what religion or philosoply will be the basis for their way of life. This decision can only be based on a wide educational experience and not on any form of obscurantism.
Over the past 20 years there has been an increasing amount of interference in the school syllabus by parents and activists who have their own axe to grind. In order not to cause uncomfortable waves of indignation and not to have to assume their responsiblitites the educational heirachy has not supported teachers who have found themselves unable to teach certain parts of the syllabus because of the active resistance of pupils and parents. In the classroom teachers are in difficulty with history, general science, biology, physical education, art and music. Some teachers have been hassled and some have even received death threats . So far, when asking their superiors for help they have been told to be quiet, to self censor and to go away. Anything to avoid controversy and to have a quiet life. This is now likely to change.
I watched the hommage to Samuel Paty at the Sorbonne yesterday. I found it very moving. Hence my post. My personnal conclusion is that as a teacher of music it is my duty to put in front of the children and young people I teach the positive aspects of the arts, and in particular of music. It is not up to me to tell them what to think or what to believe. But it is up to me to teach them to think and to give them the tools with which to reason. The humanities, of which music is a large part should be taught to all children. The wider their base of knowledge the more freedom they will have.
If you say prayers may I ask you to remember Samuel Paty’s family and in particular the five year old little boy who will never see his father again. If you do not say prayers may I ask you to think of this family with compassion. I think we should also not forget the two young boys who helped the murderer to recognise the teacher as he left the school. If they knew what they were doing then we must hope that they will learn differently. If they didn’t fully understand the consequences of their action then they will need help to learn to live with that.
Each of us has our particular philosophy of musical education. I find myself having once more to remember that in a very small way I am responsible for bringing musical beauty beauty into the lives of children and trusting that it will do its humanising work. I just think that is what it’s all about.
Posted by Aquarelle on 01 July 2020 - 11:00
Adlibitum-yes im wondering if i should consciously 'brand' myself as a specialist in technique and have that slant. At the moment i think anything i write will come across as 'because these other people are all doing it wrong'! So poss best ti wait until my head is clearer! As for unqualified, i guess its the nagging feeling of not having a teaching qualification even though i know its not needed or indeed relevant to have a pgce. I also married into a family of professional musicians so i always feel lesser!
I am going to take a slightly different approach to your problem. I don’t have a web page and during the Covid confinement I have not been able to give on line lessons. I live in France not far from the Pyrenean foothills and internet connections are too slow. My teaching qualifications are not the top. I didn’t get into music college so went to College of Education with music as my main study and left with a Teacher’s Certificate and, although we didn’t take the exam, what was then the equivalent of LRAM as far as piano was concerned. So I don’t think you can call yourself under qualified! I have been teaching for a very long time – just over 50 years – and I am still at it. Why? Because it’s so very enjoyable. This year I had 34 pupils aged from 6 to 18, several of whom have been with me for more than 10 years. Most of my pupils ceiling at Grade 5 but some do go on to Grade 6 and I have had one Grade 7. I don’t teach adults as I have found that I am not at all good with them. That gives you a rough idea of the base I am coming from in what I would like to say.
I am a stickler for good standards and not dumbing down. but I am for adjustiment in teaching. Like everyone, I do lose pupils but it’s rare. And like everyone I have adolescent hormones to cope with, heavy school timetables to adjust to and the very occasional unsupportive parent. Several of my pupils come from quite large families – I have one family where I teach 6 out of 8 children.
In the quote above you say you are wondering whether you should brand yourself as a specialist in technique and go in that direction. I don’t want to be hard on you our unkind, but I wouldn’t go in that direction. Neither would I follow the “become a genius in 3 lessons” or “just play for fun” routes. I think that with children and teenagers these days the problem goes much deeper than that. I’ll try not to be too wordy but I could write a book on it – it’s something that interests me greatly. You see, I think being a specialist in the love of, the passion for “classical” music, is much more important than being a specialist in technique. Pupils who have caught from you your love of music will (eventually if not immediately) cotton on to the value of technical work. They will find that they can’t explore that love of music without the tools to do so. As one 18 year old recently said to me, as she struggled with a Chopin Nocturne (the fairly easy one in G minor) “I’ m finding this very difficult – but it is Chopin!”
As you say, with beginners it is fairly easy to get their enthusiasm. I like to take beginners on at the age of 6. They are fresh and curious and there is lots of good material available. I don’t worry too much about perfect hand positions and finger movements. I do, of course, show and encourage those things but the important thing is that they play, they enjoy and they want to move forward. It has to be very child centred. As they get older we start to think about an exam if I think it appropriate. I dislike the Prep Test but have used it. Grade 1 is very difficult for many young children and I’m looking forward to the new Initial Exam as I think it might suit my little ones. They love to have a certificate and we have to make it a positive and enjoyable experience. Some get there in a couple of years but most of my 6 year old starters need a good bit longer. In any case they all play at the end of year concert. Once we get to the Grade exams I go into top gear on how wonderful all this music is, how they can make poetry out of it, how it’s beautiful, balanced, strange, imaginative – whatever. We begin to look a little more closely at the technical skills required to get this love of music expressed and I make sure that scales and arpeggios are great things to play. There are lots of ways to do that
By the time they are in their teens (and sometimes pre-teens) I am treading on tiptoe – or a better metaphor might be the iron hand in a velvet glove. I refuse to let up on standards but for me and for them it’s the love of music that counts above all else. I enthuse about music all the time, in different ways because, after all, I am not in the business of producing brilliant professionals, but rather of music lovers who will eventually, in their adult lives either play for pleasure, take it up again when they retire or become avid concert goers - or send their own children for lessons. I want music to be a friend for life. And I am not averse to telling a child of any age, in terms appropriate to their age, that nothing in life which is really valuable happens without hard work. But you have to get them to love the work.
Young people these days are faced with a very different situation from the (prehistoric!) time of my youth. They are faced with the push button, on / off, instant result,superficial value stuff with which we never had to cope. I believe we need to lead them beyond that. I won’t go down the path of easy music for easy fun – or “only what I like.”
I have sometimes read poetry to my language classes. When I enthuse about the beauty of the words (and don’t insist they have to learn it by heart for a test next week) I get different reactions. Some are embarrassed because it’s emotional, some are enthralled and some snigger. But the real result comes when a child tells you the following week that they have learnt the poem by heart because they liked it. OK, the other 24 haven’t – but you never know what seeds you have sown – and it’s the same with music. I have no idea if any of this helps in your situation - I admit I get a bit carried away sometimes over this sort of problem. So I will now get off my soap box and wish you good luck! You are probably just going through a low patch and things will pick up.
Posted by edgmusic on 08 November 2019 - 21:55
Posted by ma non troppo on 08 November 2019 - 20:49
As a learner, I would prefer a teacher afford me the most basic of courtesies of being honest as to why he or she would not wish to have me as pupil. If there is nothing sinister underpinning your reasoning, e.g. contravening the Equality Act 2010, and have articulated this clearly and logically then surely you have nothing to worry about.
The best outcome would to be constructive: explain why you cannot teach them and provide them with alternative solutions, such as another possible teacher or changes to their behaviour that would allow you to take them on as a pupil.
In another thread, a teacher was going on about music teachers not being treated seriously as other Professions. To me, you do yourself no favours by acting unprofessionally: one of the core characteristics of a professional is integrity; being honest. Condoning and advocating blatantly lying about lack of spaces and waiting lists is not acting professionally, quite the opposite.
Posted by edgmusic on 01 September 2017 - 21:07
As I am on line
Apologies if you are not.
But are you trolling? It's against forum rules.
If you want to 'retire' do it. It's your decision. Go get a "low status role working for a big company". [/size]
How can we offer advice as you have the figures to make a living out of teaching or not!\[/size]
Stop wasting people's time.
Posted by elemimele on 14 January 2020 - 17:08
Teachers are a very diverse bunch of humans, and so are their pupils. It's quite possible to hunt around and find particular combinations of teacher and pupil where the teacher isn't right for the pupil - where their methods and attitudes won't get the best out of the pupil - but I'm not sure this is a particularly useful thing to do. It's perhaps better to accept that most teachers make a personal choice on whether to use exams, and how to use them. Every teacher I've ever met makes the decision with the pupil (and their parents if the pupil is a child), based on what all parties think will work best for that individual pupil.
There are undoubtedly teachers who have written that they wouldn't enter a pupil for an exam because they consider them too young. I suspect they're often thinking of specific cases. Many teachers take the attitude that learning music is not a race. It is a journey. The message behind "I will not enter them because they are too young" is actually "I think they would benefit from time to reflect, explore aspects of music theory and practice that are off the syllabus, enlarge as humans and musicians, and they really don't need this exam at this precise moment, so let's concentrate on making them a better, more rounded musician". That's not such a bad message, surely?
Serious thought: I do rather worry about an emphasis on exceptional pupils. Very, very little good comes out of elitism in any branch of human endeavor. When you employ a plumber, you don't care if he's the best plumber in the country, able to fit a tap faster than any other. You want someone who will fit a tap to a professional standard, that's all. It's better to have lots of competent plumbers than one plumbing genius. Even in sport, with its competitive focus, the elite ones are pretty to look at, but the health benefits, both physical and mental, only happen for people who pursue the sport, and the benefits are there even if you're rubbish at it. Everyone who plays tennis gets the work-out of a good tennis game, and the mental satisfaction that comes with their sport, not just Federer. Elite sport is where the money is, but accessible sport-for-all is where the benefits happen. The value of the elite is when the rest of us get excited and try to emulate them, but even that is a double-edged sword because it's all too easy to give up because you find you're "not very good". In music, only a small number of people can win competitions and festivals. The world doesn't need many professional concert pianists. But every human who plays or sings is enriched by it, and enriches the world around them. The teacher who brings music to the lives of average pupils is, I believe, far, far more useful to the world than the teacher who miraculously fosters genius. In fact, if you get enough people doing something reasonably well, a few geniuses will pop out of the pool automatically.
So that's where exams are not a waste of time. Some people hate them (I do). But for others they are very motivating. Some people want a measuring-stick to measure their progress. The majority of those who aim to win a major competition, will, by definition, fail, no matter how talented they are, because there's only one winner. It's even worse if you want to be a world-leader; you've chosen a measuring stick that elongates in response to how good everyone else is getting, in order to doom the majority to failure. If your aim is to pass grade 8, then ABRSM really don't care how many people pass, provided they show they've reached the level. The more musicians reach that level and pass that exam, the happier the board will be! And the better the world will be, too. Although equally, it doesn't matter to the world how many people learn to play and reach that standard without taking the exam.
At their best, exams are a way in which a wide range of people can measure their achievements and feel motivated that they're getting somewhere.
Posted by BadStrad on 09 November 2019 - 11:35
Posted by Norway on 08 November 2019 - 17:17
Totally agree about not giving a reason. Don't open the can of worms. If someone has reached adulthood without learning how to behave, then that's not your responsibility. Also stick with e-mail for communication - phoning can be tricky with those who won't take no for an answer.
Posted by BadStrad on 15 November 2018 - 01:10
It may not matter to the teacher but it should matter when I am the one paying for the lesson and if I do not do the homework then I am wasting my money because I am not progressing properly and not getting my monies worth.
If you are that bothered make time to do the work. Get up earlier. Read the score on your commute or listen to a recording if you drive. Mentally practice in your lunch hour, etc. There are lots of ways you can work on your pieces away from your instrument.
You can't blame your teacher if you haven't done the work. You're a grown up according to your forum name so your teacher probably figures scolding you like a child would be counter productive. If you think you are getting away with something, it suggests you know you could do more. So do it, don't blame your teacher.
As I say to my pupils, "I see you for *one* hour a week. If you don't practice what I teach you between lessons, you won't improve. Your choice, your money."
As others have said, it is okay to take a slower pace because you have commitments that take up your time but that is not the same as blaming your teacher because you didn't complete assigned work when you could have. If you really can't find the time to practice, you need to discuss that so practice expectations can be adjusted. Slow progress is better than no progress but you have to be honest.
Posted by susiejean on 19 January 2018 - 09:33
A very nice man gave me his email address and allowed me to scan him in a completed form.
Posted by Bantock on 07 October 2014 - 08:01
Posted by cor_en_fa on 12 October 2021 - 08:27
Posted by Aquarelle on 08 October 2019 - 12:53
Nine years ago one of my boy pupils sat the one and only Trinity exam I have ever entered a pupil for - Grade 6 Piano. It was the usual story of not being able to do Grade 5 theory in time for AB G6 practical. His parents arranged for him to go to Spain to take the exam as there is no Trinity centre here - sadly they no longer operate in northern Spain either. The pupil then went on to other things and I thought that was probably as far as his music would go.
In the supermarket yesterday a man tapped me on the shoulder and said "Excuse me, are you .....?" I said I was but didn't recognize him. He was, in fact the father of the aforesaid pupil. We had quite a long chat and it turns out that his son has never stopped playing and is now back in England playing keyboard and other instruments with various popular music groups and making his living from music. You honestly never know what seeds you have sown. I was particularly pleased to hear that the young man appreciated his "classical" time with me as this gave him a good basis for other styles. It would be nice if more felt like that - I've just lost two brothers who decided youtube would be "easier". I have been unable to convince them that a thorough grounding in reading and understanding music would take them a lot further. Well, you can't win 'em all but I was delighted to catch up on one pupil's news!
Posted by Dorcas on 14 September 2019 - 09:04
Adultpianist, I have sent texts, and they have not got through. In fairness to your teacher, I think you need to assume they are telling they truth. Ending lessons can be awkward for several reasons. From the teacher's point of view, you are only one bad review online from going out of business. I had a defamatory review a few years ago, and it seriously impacted on my income. I had the review taken down, and hey presto, all slowly improved. That review cost in me in the region of £20K. Your teacher has no idea if you are going to turn nasty, are just moving on, or going to work with another teacher. Being neutral is often the safest approach, as it can avoid serious fallout.
You have decided to finish lessons. Your teacher has accept this. Time to move one.
why would I turn nasty. That is not in my nature. I have no reason to turn nasty. I was taught some very good techniques which I put into practice and I am thankful for that. I genuinely do not have the time to pursue lessons at the moment and that is the reason and that is what I told her. If I have no time to pursue lessons why would I go on to another teacher because I would be in the same position (no time for lessons). My job has become increasingly busy and if I try to fit in flute as well I would be running myself into the ground and would be mentally and physically ill. I genuinely want to learn the flute but when I started , my job was less busy. As I said I will continue to practice at home as and when I can to keep things ticking over. Obviously I am not skilled enough to try new things but at least I can practice what I have been taught and improve on that for now
Your instrumental teacher has not spent that much time with you, and cannot be assured of your true personality. I am not saying any of this to personally attack you, just trying to get you to see why your teacher reacted the way she did.
Your reasons for stopping are perfectly valid. What I do think was unnecessary, was to imply your teacher lied when she said she did not receive the text. When I send out texts asking my students to pay their fees, I accept it if they tell me the message did not get through. To be frank, Adultpianist, you have come on here asking advice, followed it, it worked, and now you are criticising your teacher for not being effusive enough when you gave notice. I am going to call you out on this, I think you are in fact being remarkably unkind, and your teacher was correct to be neutral. You have decided to stop lessons, have given notice, and now prefer to believe your teacher is a liar who did not pay you enough compliments. Stop whining.
edit: just come back to read this thread, have decided to put the boot in more often, folks on here seem to like it, crikey!!
Posted by Maizie on 28 May 2015 - 15:36
A benign meningioma.
Essentially, if you had to pick a type of brain tumour to have, it's the one you'd choose. And it's what I've got!
Future discussion will take place with a radiologist about whether to treat now or monitor and treat later if necessary (there are good arguments either way) - but it's all suddenly gone very relaxed and non-urgent (growth being ~1mm per year).
I'm really looking forward to a good night's sleep tonight...the 27 days since the 'you have a brain tumour' phone call have been somewhat intense!
Posted by Flowerpot on 04 February 2015 - 23:28
Posted by zwhe on 18 July 2020 - 11:45
Are they serious? We are expected to get children to:
Find an empty room without clutter.
Send all family away in case they make any noise
Buy soundproofing if (like me) they live in a noisy area
Buy a laptop/desktop computer, desk and webcam
Go in the room on their own
Sit an exam watched by an adult who can 'webchat' with them
Have no access to adult support if they have any problems.
I'm pretty sure that wouldn't pass any risk assessment, even for the privileged few that can actually afford to do that! The online platform was clearly designed for professional development exams for adults in an office, not for children.
Posted by maggiemay on 05 December 2019 - 20:20
I have just learned that my first piano teacher passed away last month.
I thought she should have a mention on the forums: she was, after all, my very first music teacher.
And it makes me very happy that she reached the wonderful old age of 107.
She was still teaching, and singing in her church choir well into her nineties. What an innings :-)
Posted by ma non troppo on 19 March 2018 - 09:25
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