QUOTE(organ_dummy @ Jul 28 2008, 11:41 PM)

... the very tricky bits in the first reprise, where the top note of a tone cluster is trilled.
Yes - this sonata is more difficult than those in at least one of the pairs on the DipABRSM syllabus (K208/K209)
QUOTE(organ_dummy @ Jul 28 2008, 11:41 PM)

I can think of an easy way out:
When the LH has a quaver rest, it can take some of the notes in the cluster, thereby allowing the trill to be played with fingers 3 and 4 in the RH.
Well you
could do that ...
QUOTE(organ_dummy @ Jul 28 2008, 11:41 PM)

However, this cannot be done when LH has a chord sounding on the downbeat. The RH must play the trill with fingers 4 and 5 and letting the other fingers play the rest of the cluster.
... but seeing as you have to play some of them with 4-5 anyway, why bother
QUOTE(organ_dummy @ Jul 28 2008, 11:41 PM)

This is extremely difficult for an average Grade 8 pupil.
True. It is not that easy for this LRSM student either. But the reason things like this are harder than they should be is that most students leave it way too late to start practicing this and other so-called "advanced" skills. It should have been introduced gently at Grade 5, so by Grade 8 trills and other ornaments with 4 and 5 would be no trouble. The same is true of things like polyrhthms. It is not so good waiting till you have to playthings like 3 v 4 and 4 v 5 in a Grade 8 piece before you start working on them. But if you arrive at Grade 8 preparation lacking a skill you should already have learned then you just have to knuckle down, practice it every day, and train yourself to do it. It is all part of becoming a pianist.