QUOTE(janexxx @ Jul 23 2008, 12:43 PM)

Rather than learn the positions .... learn where the notes are on the fingerboard, so that I can use whichever finger is best on that note, without thinking too much about what position it is.
I am also finding it is best to get the first finger down securely too, no matter what the position is, as the others then are more secure.
'Positions' on the fingerboard is a relatively new idea. Back in the days of Bach
et al it was a case of using the most appropriate fingering for the notes.
Getting the first finger down securely when you shift is a real bonus, although lots of players don't do it - professionals included - but if you make a habit of learning to shift in the correct way, the first finger then acts as an anchor from which your other fingers can work.
QUOTE(rosfrog @ Jul 24 2008, 09:11 AM)

The best advice I can give you is not to look at you fingerboard at all
Absolutely. Use your ears, not your eyes. One postural piece of advice I will give though, is to make sure you stand at a 45 degree angle to the music stand (if using one), so that the scroll and the general position of the violin is pointing at the music. If you stand directly facing the music stand, it will encourage you to drop the violin from the shoulder further round towards your chest and the scroll will point floorwards.
Apart from the appalling aesthetic appearance this gives a player, it will do nothing for your technique, not to mention back, neck, or shoulders. It will also adversly affect your shifting too - with the scroll pointing towards the floor, you will have the added problem of pushing your hand up (the fingerboard) against gravity, which is not the best scenario for quick or smooth shifts. If the instrument is held up, horizontally on the shoulder, your shifting will feel effortless by comparison.