I love him because I have a CD of him playing transcriptions of well known pieces very well and with lots of force and energy.
The Messiaen, however, was played with too much force in my opinion. I could see he was using the Leduc publication, but he couldnt stop rushing the piece as if he wanted to show off his skill - 'look at me'. I got out my copy of the Leduc Score and followed it while he played but the tempo markings where all over the place.
Now the recording of the same piece by Naji Hakim at La Trinite in Paris seems more controlled and you can make out the notes.
Is it down to interpretation when you play modern music just like when you play baroque?
The Albert Hall doesnt have very good acoustics yet the piece sounded blurry.
Id love to hear Wayne play something baroque
