QUOTE(pushpull @ Jul 1 2008, 03:25 PM)

QUOTE(Roger @ Jul 1 2008, 02:58 PM)

I've just bought one of these. The HR model now out (an improvement on the R-09 previous model) I tried it out last night playing the Bach Partita No6. I was amazed at the quality of the playback. I used the 24bit/96Mhz setting which far exceeds audio CD sampling rates. I didn't even place the recorder in the best recommended position, I just put it on the side of the piano. This has to be one of the best WAV/MP3 recorders on the market and reasonably priced. I paid under £250 for it. With this model you get a remote control, stand, USB lead, 512mb SD card, and Cakewalk Pyro audio editing software. A 2GB SD was thrown in with the package. If you're serious about recording your performances and want professional results this unit is highly recommended.
I would heartlily endorse using one of the several portable recorders like this one now available. I recently bought a Zoom H2 which is cheaper than the Edirol (about £150) but probably a bit plasticky by comparison. Sound quality is excellent however. It's also useable as a stereo mic plugged into the mac (or PC) by USB for direct recording (rendering pretty much obsolete at a stroke my Audio Technica condensor mics and Firewire interface). Certainly having a simple compact unit like this means it's more likely to see some use than having to set up a load of "conventional" kit.
I would be interested to know if you can actually detect any difference between the 24/96 and 16/44.1 rates.
There are a number of demo Wav files which are recorded on the included 512mb SD card. These, and I suppose we have to believe Roland, were recorded with the unit
'as is'. There are two recordings of a modern jazz piano piece, one sampled at 24/96 and the other at 16/44. There is , IMO, a quite discernible improvement in tonal quality and depth with the higher rate sampled recording. Others may beg to differ.