I think iib V is good as an imperfect cadence half way through a piece. It's weaker than ii V in root positions but I think that's okay. Thinking about it - if it is a progression that goes
iib V then
1 for a perfect cadence it is a very good 'stock' progession to use.
Just played it on the piano in C major and iib V gives you a rising stepwise pattern in the bass
F to
G. It is very good to counteract this with a falling 3rd in the soprano line - say
D to
B as it helps to avoid consecutives to have movement in contrary motion.
It's good for me to try and articulate the above as I am reviewing all my harmony practice for Grade 8 theory (or Practical Mus) for later in the year. If I am off beam at all someone please correct me.