QUOTE(jod @ Apr 27 2007, 11:12 AM)

My stepfather plays viola (he started off on the violin) and we've played some wonderful stuff together. (I arranged some show tunes by Sondheim for Viola and Piano -" Loosing Your mind" works like a dream!) I personally love the viola it has a lovely mellow tone, that C string is something special.
Jod, if you don't mind sharing them I would love to have a copy of your arrangements of show tunes.
QUOTE(gwu @ Apr 27 2007, 11:40 AM)

QUOTE(purple viola @ Apr 26 2007, 07:24 PM)

...usually elderly violinists who could no longer play the violin parts and thought they could get away with hiding in the viola section
Also there is a perception that orchestral viola parts are easy. Some are indeed mind-numbingly boring but most aren't.
So generally speaking, would you say that the viola is easier to play than the violin? Again, generally speaking, are the viola parts in an orchestra less challenging than those for the violin?
Personally I find the violin much easier to play than the viola, because it is so much lighter and generally it requires much less effort (don't need to work so hard with the bow arm). Also, because the finger positions on the violin are closer together the fingerings tend to be simpler. I just don't enjoy playing the violin as much as viola.
The difficulty of orchestral viola parts depends a lot on the composer. Composers who actually played viola, for example Dvorak, Vaughan Williams and Beethoven, and also many modern composers generally wrote interesting viola parts. Excruciatingly boring viola parts were written by composers like Handel, J. Strauss and Sullivan (as in Gilbert and Sullivan). I try to avoid playing in concerts involving works by these composers.
The best viola parts are of course those for pieces that do not have any violin parts such as Brandenburg no. 6, Faure's Requiem and Cantique de Jean Racine (original versions) etc.
Like Elizabeth_rb I do not like viola jokes. I have heard most of them so many times that they just aren't funny.